\n曾是把收音機當枕頭的小孩,現任資深少年。
\n曾任中央廣播電台、原住民族廣播電台、大寶桑電台節目製作主持。
107年入圍廣播金鐘獎廣播劇獎「Alian思兜哩」團隊導播
\n108年入圍廣播金鐘獎流行音樂節目獎「耳朵借我」節目企製
\n109年入圍廣播金鐘獎流行音樂節目獎「耳朵借我」節目企製
\n112年入圍廣播金鐘獎流行音樂節目主持人獎
113年新節目
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The program interviews emerging groups in the independent music scene, street artists, creators and performers from university and college music awards. It often features live performances either on-site or broadcast recordings of live music from the time of the interview. The aim is to faithfully capture the live musical rhythm and emotional impact, providing a platform to showcase musical talent and skills.
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\n曾是把收音機當枕頭的小孩,現任資深少年。
\n曾任中央廣播電台、原住民族廣播電台、大寶桑電台節目製作主持。
107年入圍廣播金鐘獎廣播劇獎「Alian思兜哩」團隊導播
\n108年入圍廣播金鐘獎流行音樂節目獎「耳朵借我」節目企製
\n109年入圍廣播金鐘獎流行音樂節目獎「耳朵借我」節目企製
\n112年入圍廣播金鐘獎流行音樂節目主持人獎
113年新節目
\n本節目除了播送音樂人、樂團的專輯外,將外採節目現場Live演出形式或播送Live實況錄製的音樂,其魅力在於捕捉及時的氛圍與音樂人的現場共感力。
\n主力邀訪新興團體及街頭藝人等,讓其有機會透過創作傳達本身的音樂風格與獨特處,讓更多聽眾認識他們的音樂多元才華。
The program interviews emerging groups in the independent music scene, street artists, creators and performers from university and college music awards. It often features live performances either on-site or broadcast recordings of live music from the time of the interview. The aim is to faithfully capture the live musical rhythm and emotional impact, providing a platform to showcase musical talent and skills.
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\n曾是把收音機當枕頭的小孩,現任資深少年。
\n曾任中央廣播電台、原住民族廣播電台、大寶桑電台節目製作主持。
107年入圍廣播金鐘獎廣播劇獎「Alian思兜哩」團隊導播
\n108年入圍廣播金鐘獎流行音樂節目獎「耳朵借我」節目企製
\n109年入圍廣播金鐘獎流行音樂節目獎「耳朵借我」節目企製
\n112年入圍廣播金鐘獎流行音樂節目主持人獎
113年新節目
\n本節目除了播送音樂人、樂團的專輯外,將外採節目現場Live演出形式或播送Live實況錄製的音樂,其魅力在於捕捉及時的氛圍與音樂人的現場共感力。
\n主力邀訪新興團體及街頭藝人等,讓其有機會透過創作傳達本身的音樂風格與獨特處,讓更多聽眾認識他們的音樂多元才華。
The program interviews emerging groups in the independent music scene, street artists, creators and performers from university and college music awards. It often features live performances either on-site or broadcast recordings of live music from the time of the interview. The aim is to faithfully capture the live musical rhythm and emotional impact, providing a platform to showcase musical talent and skills.
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\n曾是把收音機當枕頭的小孩,現任資深少年。
\n曾任中央廣播電台、原住民族廣播電台、大寶桑電台節目製作主持。
107年入圍廣播金鐘獎廣播劇獎「Alian思兜哩」團隊導播
\n108年入圍廣播金鐘獎流行音樂節目獎「耳朵借我」節目企製
\n109年入圍廣播金鐘獎流行音樂節目獎「耳朵借我」節目企製
\n112年入圍廣播金鐘獎流行音樂節目主持人獎
113年新節目
\n本節目除了播送音樂人、樂團的專輯外,將外採節目現場Live演出形式或播送Live實況錄製的音樂,其魅力在於捕捉及時的氛圍與音樂人的現場共感力。
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The program interviews emerging groups in the independent music scene, street artists, creators and performers from university and college music awards. It often features live performances either on-site or broadcast recordings of live music from the time of the interview. The aim is to faithfully capture the live musical rhythm and emotional impact, providing a platform to showcase musical talent and skills.
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\n曾是把收音機當枕頭的小孩,現任資深少年。
\n曾任中央廣播電台、原住民族廣播電台、大寶桑電台節目製作主持。
107年入圍廣播金鐘獎廣播劇獎「Alian思兜哩」團隊導播
\n108年入圍廣播金鐘獎流行音樂節目獎「耳朵借我」節目企製
\n109年入圍廣播金鐘獎流行音樂節目獎「耳朵借我」節目企製
\n112年入圍廣播金鐘獎流行音樂節目主持人獎
113年新節目
\n本節目除了播送音樂人、樂團的專輯外,將外採節目現場Live演出形式或播送Live實況錄製的音樂,其魅力在於捕捉及時的氛圍與音樂人的現場共感力。
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The program interviews emerging groups in the independent music scene, street artists, creators and performers from university and college music awards. It often features live performances either on-site or broadcast recordings of live music from the time of the interview. The aim is to faithfully capture the live musical rhythm and emotional impact, providing a platform to showcase musical talent and skills.
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